Rack up 500 points and you'll score a $5 reward for more movies. I had actually gone out for lunch … It was not The Revenant losing to Spotlight, but the massive underdog Ex Machina pulling the win for best VFX. “‘Ex Machina’ … It was released by DNA Films. A huge congratulations to the team and all the brilliant minds behind Ava and the world of Ex Machina! Alongside Andrew on stage were fellow Oscar winners, Ex Machina’s 2D Supervisor Paul Norris (now DEGTV VFX Supervisor on the likes Marvel’s Agent Carter), CG lead Mark Ardington (the man responsible for the pioneering rigging technique that combined Ava’s CG body components and Alicia Vikander’s real world movements) and Milk VFX Co-Founder and VFX Supervisor Sara Bennett. This was also the first VFX nominee in 45 years to beat nominees on a show also featured in the Best Picture category. Take your favorite fandoms with you and never miss a beat. In a bit of an upset, “Ex Machina” topped favorite “Star Wars: The Force Awakens” for the visual effects Oscar. https://oscars.fandom.com/wiki/Ex_Machina?oldid=54767. Ex Machina is nominated for the Best VFX Academy Award! Ex Machina is nominated for the Best VFX Academy Award! For her portrayal Vikander garnered the Academy Award for Best Supporting Actress, ... Saturn Awards: 2016: Ex Machina: Best Supporting Actress: Nominated Screen Actors Guild Awards: 2016: The Danish Girl: Outstanding Performance by a Female Actor in a Supporting Role: Won St. Louis Gateway Film Critics Association : 2015 The Danish Girl: Best Actress Nominated 2015 Ex Machina… Nominated from DNEG are overall VFX Supervisor Andrew Whitehurst, 2D Supervisor Paul Norris (who is now DNEG TV VFX Supervisor and busy working on Marvel’s Agent Carter), CG lead Mark Ardington (the man responsible for the pioneering rigging technique that combined Ava’s CG body components and Alicia Vikander’s real world movements) and Visual Effects Supervisor Sara Bennett of Milk Visual Effects. Ex Machina has won! Ex Machina’s win is a huge step in Academy recognition for women in VFX as well as the possibilities of independent VFX driven films. Ex Machina is a 2015 British science fiction film written and directed by Alex Garland in his directing debut. Ex Machina is a 2015 British science fiction film written and directed by Alex Garland in his directing debut. This is each member of the team’s first Academy nomination, though DNEG continues to stand out to the Academy after winning last year with Interstellar and for Inception in 2010. It stars Domhnall Gleeson, Alicia Vikander, Sonoya Mizuno and Oscar Isaac. By continuing to use this site, you consent to the use of cookies. This site uses cookies. With a budget of only $15 million, Ex Machina took on true goliaths of Visual Effects with its delicately cerebral and subtle sci-fi story of Ava (Alicia Vikander) – potentially the first android with true artificial intelligence, her creator Nathan (Oscar Isaac), and Caleb (Domhnall Gleeson), the man come to test her. For information on how we handle your data, please read our Privacy Policy. Women's Ex Machina Academy Award For Best Original Screenplay Alicia Vikander Seamless Lingerie Briefs: Amazon.ca: Clothing & Accessories It was the first Oscar wins and nominations for each member of the team, and Sara Bennett’s win installs her as the first woman to win the VFX Oscar as VFX Supervisor. For information on how we handle your data, please read our Privacy Policy. We use the data we collect to analyse website usage and enhance your experience. ‘Westworld’ and ‘Devs’ nominated for VFX at 72nd Primetime Emmy Awards, Chernobyl nominated for the 2020 BAFTA TV Craft Awards, DNEG Celebrates International Women’s Day. Get Movies. But when Caleb arrives at the remote location he finds that he will have to participate in a strange and fascinating experiment in which he must interact with the world's first true artificial intelligence, housed in the body of a beautiful robot girl. I couldn’t ask for a more creative, conscientious and hard working group of people to work with and I think their love, dedication and skill is evident in every frame. Up against Star Wars: The Force Awakens, The Revenant, The Martian and Mad Max: Fury Road, Alex Garland’s stunning directorial debut Ex Machina triumphed. This was also the first VFX nominee in 45 years to beat nominees on a show also featured in the Best Picture category. Earn 125 points on every ticket you buy. Buy Movies. Learn more. We use the data we collect to analyse website usage and enhance your experience. Andrew Whitehurst, who recently picked up the Best Achievement in Craft Award for Ex Machina at the British Independent Film Awards, said of the nomination; “It was an unexpected but delightful moment to find out that we had been nominated. “I’m really bad at predicting this apparently… this is so utterly unexpected. Caleb, a 26 year old coder at the world's largest internet company, wins a competition to spend a week at a private mountain retreat belonging to Nathan, the reclusive CEO of the company. Following hot on the heels of Ex Machina’s BAFTA nomination, DNEG’s work on Alex Garland’s stunning directorial debut is now Oscar nominated. A big congratulations to the team and everyone at DNEG! ‘Westworld’ and ‘Devs’ nominated for VFX at 72nd Primetime Emmy Awards, Chernobyl nominated for the 2020 BAFTA TV Craft Awards, DNEG Celebrates International Women’s Day. After the success of Interstellar it does show that the Academy is really liking interesting VFX work done in the service of story on interesting films and it’s to Double Negative’s credit that they continue to get involved with such challenging, but exciting, projects”. I had actually gone out for lunch and not watched the announcements as I really thought we didn’t stand a chance. It’s unusual for such a small indie project to get such recognition so I think it surprised us all. Caleb, a 26 year old coder at the world's largest internet company, wins a competition to spend a week at a private mountain retreat belonging to Nathan, the … It was released by DNA Films. Overall VFX Supervisor on Ex Machina, DNEG’s Andrew Whitehurst made the acceptance speech on behalf of the brilliant VFX crew responsible for bringing Ava to life. Ex Machina will go up against Mad Max: Fury Road, The Martian, The Revenant and Star Wars: The Force Awakens at the awards, which will be televised live on Sunday 28th February. It stars Domhnall Gleeson, Alicia Vikander, Sonoya Mizuno and Oscar Isaac. The film competed with other major (and bigger budget) contenders such as Star Wars: The Force Awakens, The Martian and Mad Max: Fury Road. Get your swag on with discounted movies to stream at home, exclusive movie gear, access to … The crew throughout the production was small but perfectly formed. The last female nominee was Pamela Easley for Cliffhanger in 1993, and the only other winner was Suzanne Benson in 1986 for Aliens. We have to thank people in two directions – we’ve got to thank the studio, we’ve got to thank the production… we’ve got to thank Alex for being an amazing director, we’ve got to thank Alicia for being Ava… and we have to thank the teams of artists, production and technical personnel at Double Negative, Milk VFX and Utopia, who are amazing. Insider Perks. Sara is in fact only the third ever female to receive a nomination in the Best VFX category and the first ever female VFX Supervisor. The whole crew have been so excited, as they should be, that their terrific work has been recognised. Domhnall Gleeson, Alicia Vikander, Sonoya Mizuno, and Oscar Isaac star in a story that follows a programmer who is invited by his CEO to administer the Turing test to an intelligent humanoid robot. What was one of the biggest or most surprising upsets at this year’s Academy Awards? This is Double Negative’s second consecutive win and their third win in total: all for shows on which they led as the client VFX house (previous wins were for Inception and Interstellar). Check out why they were nominated in this VFX Breakdown Featurette: This site uses cookies. “‘Ex Machina’ Provides First Oscar Night Shocker, Winning Best Visual Effects… “Ex Machina” triumphed in the field, the first truly shocking moment of the evening as it was … up against bigger, more widely-seen films” – Vanity Fair, “It’s the type of effect that you stare at for an entire movie without being totally aware it’s in front of you, but the Academy was apparently cognizant enough of the work behind Ava’s look to vote Ex Machina to victory.” – The Verge, “The sci-fi thriller Ex Machina — which was made for a threadbare $15 million — just scored a huge upset by winning the Best Visual Effects Oscar, topping The Martian($108 million), The Revenant ($135 million) Mad Max: Fury Road ($150 million), and Star Wars: The Force Awakens ($200 million).” – The Week, “‘Ex Machina’s’ Oscar win is a triumph for low-budget VFX” – Engadget, “The marriage of the winners’ technical skill and Vikander’s impeccable performance was apparently enough to overcome “Star Wars’” dominance at the Visual Effects Society awards” – LA Times, “Arguably the night’s biggest upset, this is only the second time that a film has won the VFX category without also having a best picture nomination, in a year when at least one other nominee (in this case, three) did have a best picture nomination.” – Hollywood Reporter. Following hot on the heels of ... Andrew Whitehurst, who recently picked up the Best Achievement in Craft Award for Ex Machina at the British Independent Film Awards, said of the nomination; “It was an unexpected but delightful moment to find out that we had been nominated. Awards Watch; Indie Movie Guide; Family Guide; House Of Screams; Weekend Ticket; My VIP Account.