How to Write a Screenplay During Quarantine [FREE 100-page eBook], You Can Now Rent an Entire AMC Theater for Only $99, 5 Lighting Patterns You Should Know as a Filmmaker, Cronenberg's Psycho-Horror 'Possessor' Is a Masterclass in Inventing Practical Effects and Playing with Vintage Lenses, The Best Filmmaking Deals of the Week (10.16.20), Sony's Spatial Reality Display Is the Dopest Tech You'll See Today, How to Make a Trilingual Film with Little Prep on the Other Side of the Country, 'Miller's Crossing,' the Coens' Forgotten Gangster Epic, Turns 30, 7 Tips For Breaking Into Documentary Filmmaking, Q&A with Gaffer, John Higgins -- thecallsheet, https://www.youtube.com/watch?v=9PQlmZCtZNA, http://www.youtube.com/watch?v=cBfsJ7K1VNk, https://www.youtube.com/watch?v=cBfsJ7K1VNk. I have done 14 or 15 films with Roger in the past so I know how thorough he is in his preparation. Candle Light and Grip hosts an interview with John "Biggles" Higgins, the legendary gaffer behind such films as Gravity, Skyfall, and most recently 1917. :-) IMO, once you figure out what look you want - from Gordon Willis's overheads in "Godfather" to Cronenwerth's overpowering Fresnel in "Bladerunner" to Deakins's locomotive coming in from the dark in the "Assassination of Jesse James", etc. Higgins recently sat down with thecallsheet to discuss the lighting philosophies behind some of the biggest films that Hollywood has to offer: For a little bit of  background on John Higgins, his career as a gaffer has spanned over 30 years, and his impressive resume features 60+ feature films, including 15 with famed cinematographer, Roger Deakins. They're old tech now, but still worth the money :-), November 12, 2013 at 8:43PM, Edited September 4, 8:21AM. They recreated a set from Dead Poets Society and explained his process and showed exactly how it was lit. They have books like that in stills photography but none for cinematography. Also they did some excellent coverage on the movie both in American Cinematographer as well as Cinefex magazine. The rest of this interview is available in the book, Breaking Into UK Film and TV Drama, available on Amazon, connecting film & TV industry professionals. This video is unavailable. November 12, 2013 at 3:36PM, Edited September 4, 8:21AM, Oh yes - no comparison Kinos to say 1x1s. It is an ever evolving and a very exciting aspect of what we do. Also the digital cameras available now running at 800 ASA  which produce amazing images is another huge leap in technology. You worked with Roger Deakins, who is widely regarding as the best cinematographer in the world, along with Lubezki. But you got to know what you want first. I highly recommend them. Skyfall was nominated for Best Cinematography at the 2013 Oscars. The interview with Gaffer John Higgins has been removed from thecallsheet.co.uk. Emmanuel Lubezki won the Best Cinematography at the 2014 Oscars for Gravity; John Higgins was his Gaffer. His work with Lubezki much more challenging. To know how they did it is enough and gives anybody with some solid knowledge and an understanding of lighting to apply it in there specific situation. Here are just a few examples of the incredible long takes in Children of Men: Re-watching these clips makes me even more bitter that Chivo didn't take home the cinematography Oscar in 2006, but that's besides the point. My nickname is derived from a very long moustache I had and it is from the Biggles books written by Captain W E Johns , which were schoolboy favourites over many years. In this case they may have used kenos but I have been looking at battery powered LEDs for lighting as I can go many more places.